Turandot

Synopsis

 

Act 1

In front of the imperial palace

A Mandarin announces the law of the land (Aria – Popolo di Pechino! – "People of Beijing!"). The Prince of Persia has failed to answer the three riddles, and he is to be beheaded at the next moonrising. As the crowd surges towards the gates of the palace, the imperial guards brutally repulse them, causing a blind old man to be knocked to the ground. The old man's slave-girl, Liù, cries out for help. A young man hears her cry and recognizes that the old man is his long-lost father, Timur, the deposed king of Tartary. The young Prince of Tartary is overjoyed at seeing Timur alive, but still urges Timur to not speak his name because he is afraid that the Chinese rulers, who have conquered Tartary, may kill or harm them. Timur then tells his son that, of all his servants, only Liù has remained faithful to him. When the Prince asks her why, she tells him that once, long ago in the palace, the Prince had smiled at her (Trio with chorus – The crowd, Liù, Prince of Tartary, Timur: Indietro, cani! – "Back, dogs!").

The moon rises, and the crowd's cries for blood dissolve into silence. The doomed Prince of Persia, who is on his way to be executed, is led before the crowd. The young Prince is so handsome and kind that the crowd and the Prince of Tartary decide that they want Turandot to act compassionately, and they beg Turandot to appear and spare his life (Aria – The crowd, Prince of Tartary: O giovinetto! – "O youth!"). She then appears, and with a single imperious gesture, orders the execution to continue. The Prince of Tartary, who has never seen Turandot before, falls immediately in love with her, and joyfully cries out Turandot's name three times. Then the Prince of Persia cries out one final time. The crowd, horrified, then screams out one final time. The Prince of Persia is then beheaded.

The Prince of Tartary is dazzled by Turandot's beauty. He is about to rush towards the gong and to strike it three times—the symbolic gesture of whoever wishes to attempt to solve the riddles so that he can marry Turandot—when the ministers Ping, Pang, and Pong appear. They urge him cynically to not lose his head for Turandot and to instead go back to his own country (Fermo, che fai?). Timur urges his son to desist, and Liù, who is secretly in love with the Prince, pleads with him not to attempt to solve the riddles (Signore, ascolta! – "Lord, hear!"). Liù's words touch the Prince's heart. He begs Liù to make Timur's exile more bearable by not abandoning Timur if the Prince fails to answer the riddles (Non piangere, Liù – "Do not cry, Liù"). The three ministers, Timur, and Liù then try one last time to stop the Prince (Ah! Per l'ultima volta! – "Ah! For the last time!") from attempting to answer the riddles, but he refuses to heed their advice.

He calls Turandot's name three times, and each time Liù, Timur, and the ministers reply, "Death!" and the crowd declares, "We're already digging your grave!" Rushing to the gong that hangs in front of the palace, the Prince strikes it three times, declaring himself to be a suitor. From the palace balcony, Turandot accepts his challenge, as Ping, Pang, and Pong laugh at the Prince's foolishness.

 

Act 2

Scene 1: A pavilion in the imperial palace. Before sunrise

Ping, Pang, and Pong lament their place as ministers, poring over palace documents and presiding over endless rituals. They prepare themselves for either a wedding or a funeral (Trio – Ping, Pang, Pong: Ola, Pang!). Ping suddenly longs for his country house in Honan, with its small lake surrounded by bamboo. Pong remembers his grove of forests near Tsiang, and Pang recalls his gardens near Kiu. The three share their fond memories of their lives away from the palace (Trio – Ping, Pang, Pong: Ho una casa nell'Honan – "I have a house in Honan"), but they are shaken back to the realities of Turandot's extremely bloody reign[clarification needed]. Continually, they have been accompanying young men to their deaths and are now recalling the horrors of their ghastly fate. As the palace trumpet sounds, the ministers ready themselves for another spectacle as they await the entrance of their Emperor.

Scene 2: The courtyard of the palace. Sunrise

The Emperor Altoum, father of Turandot, sits on his grand throne in his palace. Weary of having to judge his isolated daughter's sport, he urges the Prince to withdraw his challenge, but the Prince refuses (Aria – Altoum, the Prince: Un giuramento atroce – "An atrocious oath"). Turandot enters and explains (In questa reggia – "In this palace") that her ancestress of millennia past, Princess Lo-u-Ling, reigned over her kingdom "in silence and joy, resisting the harsh domination of men" until she was ravished and murdered by an invading foreign prince. Turandot claims that Lo-u-Ling now lives in her, and out of revenge, Turandot has sworn to never let any man wed her. She warns the Prince to withdraw but again he refuses. The Princess presents her first riddle: Straniero, ascolta! – "What is born each night and dies each dawn?" The Prince correctly replies, Speranza– "Hope." The Princess, unnerved, presents her second riddle (Guizza al pari di fiamma – "What flickers red and warm like a flame, but is not fire?") The Prince thinks for a moment before replying, Sangue – "Blood". Turandot is shaken. The crowd cheers the Prince, provoking Turandot's anger. She presents her third riddle (Gelo che ti da foco – "What is ice which gives you fire and which your fire freezes still more?"). As the prince thinks, Turandot taunts him, "What is the ice that makes you burn?" The taunt makes him see the answer and he proclaims, "It is Turandot! Turandot!"

The crowd cheers for the triumphant Prince. Turandot throws herself at her father's feet and pleads with him not to leave her to the Prince's mercy. The Emperor insists that an oath is sacred and that it is Turandot's duty to wed the Prince (Duet – Turandot, Altoum, the Prince: Figlio del cielo). She cries out in despair, "Will you take me by force? (Mi porterai con la forza?) The Prince stops her, saying that he has a riddle for her: Tre enigmi m'hai proposto – "You do not know my name. Tell me my name before sunrise, and at dawn, I will die." Turandot accepts. The Emperor then declares that he hopes that he will be able to call the Prince his son when the sun next rises.

 

Act 3

Scene 1: The palace gardens. Night

In the distance, heralds call out Turandot's command: Cosi comanda Turandot – "This night, none shall sleep in Peking! The penalty for all will be death if the Prince's name is not discovered by morning". The Prince waits for dawn and anticipates his victory: Nessun dorma – "Nobody shall sleep!"

Ping, Pong, and Pang appear and offer the Prince women and riches if he will only give up Turandot (Tu che guardi le stelle), but he refuses. A group of soldiers then drag in Timur and Liù. They have been seen speaking to the Prince, so they must know his name. Turandot enters and orders Timur and Liù to speak. The Prince feigns ignorance, saying they know nothing. But when the guards begin to treat Timur harshly, Liù declares that she alone knows the Prince's name, but she will not reveal it. Ping demands the Prince's name, and when Liù refuses to say it, she is tortured. Turandot is clearly taken aback by Liù's resolve and asks Liù who or what gave her such a strong resolve. Liù answers, "Princess, love!" (Principessa, amore!). Turandot demands that Ping tear the Prince's name from Liù, and Ping orders Liù to be tortured even more. Liù counters Turandot (Tu che di gel sei cinta – "You who are begirdled by ice"), saying that Turandot too will learn the exquisite joy of being guided by caring and compassionate love. [The words of that aria were actually written by Puccini. Waiting for Adami and Simoni to deliver the next part of the libretto, he wrote the words and when they read them, they decided that they could not better them.][28] Having spoken, Liù seizes a dagger from a soldier's belt and stabs herself. As she staggers towards the Prince and falls dead, the crowd screams for her to speak the Prince's name. Since Timur is blind, he must be told about Liù's death, and he cries out in anguish. When Timur warns that the gods will be offended by Liù's death, the crowd becomes subdued, very afraid and ashamed. The grieving Timur and the crowd follow Liù's body as it is carried away. Everybody departs, leaving the Prince and Turandot. He reproaches Turandot for her cruelty (Duet – The Prince, Turandot: Principessa di morte – "Princess of death"), then takes her in his arms and kisses her in spite of her resistance. (Here Puccini's work ends. The remainder of the music for the premiere was completed by Franco Alfano.)

The Prince tries to convince Turandot to love him. At first she feels disgusted, but after he kisses her, she feels herself becoming more ardently desiring to be held and compassionately loved by him. She admits that ever since she met the Prince, she realized she both hated and loved him. She asks him to ask for nothing more and to leave, taking his mystery with him. The Prince, however, then reveals his name: "Calaf, son of Timur – Calaf, figlio di Timur", thereby placing his life in Turandot's hands. She can now destroy him if she wants (Duet – Turandot, Calaf: Del primo pianto).

Scene 2: The courtyard of the palace. Dawn

Turandot and Calaf approach the Emperor's throne. She declares that she knows the Prince's name: Diecimila anni al nostro Imperatore! – "It is ... love!" The crowd cheers and acclaims the two lovers (O sole! Vita! Eternità).

Program and cast

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Alena Klenková
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Alena Klenková
© Alena Klenková
Alena Klenková
© Alena Klenková

Slovak National Theatre - SND, New Building

The New Building of the Slovak National Theatre was designed by the architects Martin Kusý, Pavol Paňák and Peter Bauer. Their proposal won the competition that brought together fifty-three projects. The building stretches over seven stories. It houses over two thousand rooms and three main halls (The Opera and Ballet Stage, and the Drama Stage, and The Studio). The building is also home to a restaurant seating 1,200, a club, café, libresso and a kitchen.

The noble feel of the building is further enhanced by a number of outdoor and indoor art pieces. A fountain by Alexander Biľkovič, Iľja Skoček and Pavol Bauer is located in the front court. The entrance lobby prides itself with the Spring by the architect Pavol Bauer and the painter Dušan Buřil. The splendour of the front is further enhanced by the cascade by peter Roller and two towers by the architect Pavol Bauer. In addition to these works that are part of the building, the indoor areas are often decorated with theatre costumes and exhibitions.

SND New Building opened on 14 April 2007 at 7PM. The opening ceremony was attended by the then President of Slovakia Ivan Gašparovič and Minister of Culture Marek Maďarič.

 

How to get there

 

The venue opens to visitors one hour prior to the beginning of the performance.

 

BY CAR 

Visitors attending any SND performance are welcome to park free of charge, on the parking lot adjacent to the theatre.

 

PUBLIC TRANSPORT 

The public transport lines that take you to the SND are bus lines No 28, 50, 70, 78, 88, 95, 133, 801 and tram lines No 2, 4, 5 & 6 that stop at the square Šafárikovo námestie, as well as the trolleybus line No 210.

 

Buses

Bus stop SND New Building (adjacent to the SD New Building):
Bus line No 28
Bus line No 133
Bus line No 801 (international bus line)

Bus stop Landererova (adjacent to the SND New Building): 
Bus line No 50 (from the direction OD Slimák)
Bus line No 88
Bus line No 95

Bus stop Malá scéna (within walking distance):
Bus line No 70
Bus line No 78

Bus line No 50 (in the direction from the Aupark)
Bus line No 28 (also servicing the bus stop SND New Building/Nová budova SND)
Bus line No 95 (also servicing the bus stop Landererova)
Bus line No 133 (also servicing the bus stop SND New Building/ Nová budova SND)

 

Trams
Tram stop Šafárikovo námestie (within walking distance)

Tram lines No 2, 4, 5 & 6 (an option to transfer to bus lines No 95 – stop Malá scéna, and/or Landererova, No 78 – stop Malá scéna)

 

Trolleybus:
Stop Nová budova SND/ SND New Building (adjacent to the SND New Building):

Trolleybus stop Ni 210 (in the direction from the main train Station/ Hlavná stanica Bratislava – stop Nová budova SND ( SND New Building)

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